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Sense/memory/sense-memory: Reading narratives of Shakespearian rehearsals
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- Shakespeare Survey
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- 28 November 2009
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- 22 October 2009, pp 328-348
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Shakespeare and the Force of Modern Performance. By W. B. Worthen. Cambridge: Cambridge University Press, 2003; pp. vii.+ 274. $60 cloth; $21 paper.
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- Theatre Survey / Volume 45 / Issue 2 / November 2004
- Published online by Cambridge University Press:
- 01 November 2004, pp. 305-307
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- November 2004
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Shakespeare at Stratford. Series edited by Robert Smallwood, Susan Brock, and Russell Jackson. London: Arden Shakespeare, 2002; King Richard III. By Gillian Day. xiii + 259 pp. $24.99; Shakespeare at Stratford. Series edited by Robert Smallwood, Susan Brock, and Russell Jackson. London: Arden Shakespeare, 2002; The Merchant of Venice. By Miriam Gilbert. xiii + 183 pp. $24.99; Shakespeare at Stratford. Series edited by Robert Smallwood, Susan Brock, and Russell Jackson. London: Arden Shakespeare, 2002; The Winter's Tale. By Patricia E. Tatspaugh. xiii + 240 pp. $24.99.
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- Theatre Survey / Volume 45 / Issue 1 / May 2004
- Published online by Cambridge University Press:
- 01 May 2004, pp. 155-158
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- May 2004
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11 - New theatres for a new drama
- from Part 3 - Text and context
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- The Cambridge Companion to Victorian and Edwardian Theatre
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- 28 May 2006
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- 19 February 2004, pp 207-221
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The Cambridge Companion to Shakespeare on Stage. Edited by Stanley Wells and Sarah Stanton. Cambridge: Cambridge University Press, 2002; pp. xvi + 322. $60 cloth, $22 paper.
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- Theatre Survey / Volume 44 / Issue 2 / November 2003
- Published online by Cambridge University Press:
- 03 February 2004, pp. 313-315
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- November 2003
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Playing Companies and Commerce in Shakespeare's Time. By Roslyn Lander Knutson. Cambridge: Cambridge University Press, 2001; pp. x + 198. $54.95 hardcover; Rough Magic: Making Theatre at the Royal Shakespeare Company. By Steven Adler. Carbondale: Southern Illinois University Press, 2001; pp. xxii + 272. $50 hardcover, $20 paperback
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- Theatre Survey / Volume 44 / Issue 1 / May 2003
- Published online by Cambridge University Press:
- 08 August 2003, pp. 142-145
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- May 2003
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Not Shakespeare: Bardolatry and Burlesque in the Nineteenth Century. By Richard W. Schoch. Cambridge: Cambridge University Press, 2002; pp. xiii + 209. $55 hardcover
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- Theatre Survey / Volume 44 / Issue 1 / May 2003
- Published online by Cambridge University Press:
- 08 August 2003, pp. 148-149
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- May 2003
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The Economics of the British Stage, 1800–1914. By Tracy C. Davis. Cambridge: Cambridge University Press, 2000; pp. xviii + 506. $74.95.
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- Theatre Survey / Volume 43 / Issue 1 / May 2002
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- 20 September 2002, pp. 91-94
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- May 2002
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The World Shakespeare Bibliography, 1980 – 1996. Edited by James L. Harner. Cambridge: Cambridge University Press (in association with the Folger Shakespeare Library, Washington, DC), 2000. CD-ROM. $810.
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- Theatre Survey / Volume 42 / Issue 2 / November 2001
- Published online by Cambridge University Press:
- 29 August 2002, pp. 223-224
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- November 2001
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Women and Victorian Theatre. By Kerry Powell. Cambridge: Cambridge University Press, 1997., pp. xiii + 202. $52.95. - Actresses on the Victorian Stage: Feminine Performance and the Galatea Myth (Cambridge Studies in Nineteenth-Century Literature and Culture no. 16). By Gail Marshall. Cambridge: Cambridge University Press, 1998., pp. xiv + 233. $54.95.
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- Theatre Survey / Volume 40 / Issue 2 / November 1999
- Published online by Cambridge University Press:
- 07 July 2009, pp. 88-92
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- November 1999
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Church and Stage in Victorian England. By Richard Foulkes. Cambridge: Cambridge University Press, 1997; pp. 263. $59.95 hardcover. - Shakespeare's Victorian Stage: Performing History in the Theatre of Charles Kean. By Richard W. Schoch. Cambridge: Cambridge University Press, 1998; pp. 208. $54.95 hardcover.
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- Theatre Survey / Volume 40 / Issue 1 / May 1999
- Published online by Cambridge University Press:
- 07 July 2009, pp. 113-116
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- May 1999
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Imperialism and Theatre: Essays on World Theatre, Drama and Performance. Edited by J. Ellen Gainor. London and New York: Routledge, 1995; pp. xvi + 264. $17.95 paperback. - Playing Out the Empire: Ben-Hur and Other Toga Plays and Films, 1883–1908. A Critical Anthology. Edited with Introductions and Notes by David Mayer. Essay on the incidental music for toga dramas by Katherine Preston. Oxford: Clarendon Press, 1994; pp. xiv + 321. $55 hardcover.
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- Theatre Survey / Volume 37 / Issue 2 / November 1996
- Published online by Cambridge University Press:
- 07 July 2009, pp. 149-152
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- November 1996
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Voicings: Ten plays from the Documentary Theater. Edited by Attilio Favorini. Hopewell, NJ: The Ecco Press, 1994; pp. xl + 320; $30.00 hardcover, $19.00 paper.
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- Theatre Survey / Volume 37 / Issue 1 / May 1996
- Published online by Cambridge University Press:
- 07 July 2009, pp. 143-146
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- May 1996
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Theatre and Fashion: Oscar Wilde to the Suffragettes. By Joel H. Kaplan and Sheila Stowell. Cambridge: Cambridge University Press, 1994; pp. xiv + 220. $49.95.
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- Theatre Survey / Volume 36 / Issue 1 / May 1995
- Published online by Cambridge University Press:
- 24 September 2009, pp. 120-122
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- May 1995
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Shakespeare: The Living Record. By Irvin Leigh Matus. New York: St. Martin's Press, 1991. Pp. xii + 174. $39.95.
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- Theatre Research International / Volume 17 / Issue 2 / Summer 1992
- Published online by Cambridge University Press:
- 23 January 2009, p. 160
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- Summer 1992
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Shakespeare's Theater of Presence: Language, Spectacle, and the Audience. By Sidney Roman. Lewisburg: Bucknell University Press (Cranbury, NJ: Associated University Presses), 1986. Pp. 253. $32.50.
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- Theatre Research International / Volume 14 / Issue 2 / Summer 1989
- Published online by Cambridge University Press:
- 23 January 2009, pp. 194-195
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- Summer 1989
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Women of Grace: James's Plays and the Comedy of Manners. By Susan Carlson. Ann Arbor: UMI Research Press, 1985. Pp. xiv + 185. $37.95.
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- Theatre Research International / Volume 14 / Issue 2 / Summer 1989
- Published online by Cambridge University Press:
- 23 January 2009, pp. 203-205
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- Summer 1989
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The Player's Passion: Studies in the Science of Acting. By Joseph R. Roach. Newark, DE: University of Delaware Press, 1985. Pp. 255. $29.50.
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- Theatre Research International / Volume 13 / Issue 2 / Summer 1988
- Published online by Cambridge University Press:
- 23 January 2009, pp. 175-177
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- Summer 1988
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William Shakespeare, King Lear. Edited by J.S. Bratton. (“Plays in Performance” series, edited by Julie Hankey and J.S. Bratton.) Bristol: Bristol Classical Press, 1987. xxi + 247 pp. 16 illustrations. £24.00 cloth, £9.95 paper. - William Shakespeare, Othello. Edited by Julie Hankey. (“Plays in Performance” series, edited by Julie Hankey and J.S. Bratton.) Bristol: Bristol Classical Press, 1987. xxvi + 354 pp. 19 illustrations. £24.00 cloth, £9.95 paper. - Jill L. Levenson, Shakespeare in Performance: Romeo and Juliet. (“Shakespeare in Performance” series, edited by J.R. Mulryne and James C. Bulman.) Manchester: Manchester University Press, 1987. vii + 133 pp. 8 illustrations. £5.95 paper.
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- Journal:
- Theatre Survey / Volume 28 / Issue 2 / November 1987
- Published online by Cambridge University Press:
- 07 July 2009, pp. 119-122
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- November 1987
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Prophet of the New Drama: William Archer and the Ibsen Campaign. By Thomas Postlewait. (Contributions in Drama and Theatre Studies, no. 20). Westport, CT: Greenwood Press, 1986. Pp. xx + 190. $37.50. - William Archer on Ibsen: The Major Essays, 1889–1919. Edited by Thomas Postlewait. (Contributions in Drama and Theatre Studies, no. 13). Westport, CT: Greenwood Press, 1984. Pp. 323. £35.
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- Journal:
- Theatre Research International / Volume 12 / Issue 2 / Summer 1987
- Published online by Cambridge University Press:
- 23 January 2009, pp. 174-177
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- Summer 1987
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